Tuesday, April 13, 2010
Like a river visit 12/04/10
Monday, April 12, 2010
F A M I L Y
F A M I L Y is a design agency that was established in 2006. During this ti,e they have gained cliets such a Nike and Vanilla cupcake There work has its own style and is really good. I like the link they use between fashion and design.
Publications & Literature
Retail
Typography
Illustration
Photographic Direction
Product & Packaging
Exhibitions & Events
Website Design & Build
fuse8
You can see there work at www.fuse8.com
IAS b2b marketing
The chase
The chase is based in London, Manchester and Preston. They work on stationary, logos ,branding, packaging and many more. I like the poster shown above. I found this on there website. It was for MMU's degree show. I like how you automatically think it says something else. I also like there cock a doodle book an how they have binded the book.
McCann Erickson
The Leith Agency
Newhaven
BJL
The copy reads rock and roll at the Lowry. This poster immediately makes me smile. I like the way they have taken a rock concert feel and placed it into its complete opposite environment.
Monday, April 5, 2010
Very Studio
To the Point
Jones Knowles Ritchie
Saturday, April 3, 2010
Practitioner report
Dave Sedgwick /Mike Carter talk
The two most memorable lectures and talks from the professional practice speakers for me this year were the Dave Sedgwick talk and the Mike Carter talk. Both were so different as Mike Carter was from orchid a recruitment company and Dave Sedgwick is a designer but both of the talk’s main focus was on graduating and what to do next. I chose to talk about these two as both were focused on what we do next but from two different perspectives that were both as interesting as the other.
The first difference from these talks was the structure. Dave Sedgwick came in and spoke to all pathways and all years in the lecture theater. Although the focus was aimed at us the third years it was open and catered to all audiences. The Mike Carter talk was aimed at our class. The groups were split into two and we sat upstairs in a studio all around a table, which made it easy to have discussions. I found the Mike Carter talk more personal as we were in a small environment. This made it easier to ask questions and be involved in the process, Compared to the Dave Sedgwich talk which was in a lecture theater based on a PowerPoint presentation. It would have been better If the Dave Sedgwick talk was in a more personal environment as I took more information away from that lecture as he has been in our situation.
Dave Sedgwick came in as a guest lecture for us on the 29th of October 2009. He works for 999 design but also does free lance work on the side. He broke his lecture down in to 3 parts- About me- How to get a job- and finally his work. I liked the way that he focused the lecture on our benefit rather than just showing his work that is available on the website. The main thing he focused on throughout his studio was that we need to start planning now for what we are going to do when we leave. He also mentioned last year degree show and said we need to top it but by displaying the work easier. He gave us a job break down that I found interesting/funny.
I found his part 2 aimed at how we get a job the most important to me. His advice was to start planning and put together a list of agencies we would like to work for. Remember the small ones. Keep a book of contacts and target ones with winning work. The layout of our portfolio is important and to keep projects to 2 pages. He also suggested emailing the company after to say thank you after you have visited which is obvious but many people do not do.
When he showed us his work he showed us bad design and also unfinished piece. I was good to see this rather than the same old immaculate pieces of design, which we don’t usually see in lectures. I liked this approach because it shows his normal.
I took a lot away about the next step from this lecture. It had not crossed my mind to start making a list of agencies and to look further afield from the Manchester based agencies we know of. I found the portfolio advice helpful to. Its always good to hear advise from a designer that looks at students work on a regular basis. That is the advice I tend to take on board the most.
The only thing that would have made this lecture better would have been a more personal environment.
The Mike Carter talk was very different to this. On Thursday the 5th of November Mike Carter came into help us with advise on how to tackle getting a job when we graduate. I got interesting quotes and realization out of this talk such as There are roughly 456,000 graduates every year and almost 50,000 of them are on art and design based courses. Mike talked us through how to get your first job, help with c.v's, portfolios and interviews. This was a very different insight to other practitioner lectures we have had before, as Mikes job is to help design graduates to get a job. He knows all the facts and statistics and through past experiences knows what works when students are trying to get a job.
He gave us constructive advise on first jobs including that they will look at your enthusiasm commitment and organization over good design.
We found out information about wages and how this is different form different company’s. This is information we are not usually told but also one of the most important factors. I found the c.v part extremely important. Most lectures talk about portfolio but never touch on the first step and there experience. We found out important information such as your c.v main job is to get the company to contact you. it needs to communicate what you want to say in 3 seconds. It can be written in 1st or 3rd person and start with an intro stating-who you are, what you want and why you want it.
Mikes talk was very insightful and made us aware of the next step after graduation. We also did group activities showing the importance of changing your portfolio depending on what job you are going for.
I think it is important to get both insights. The Dave Sedgwick talk was great because you got to here his journey and see how he got there and where he is now. Everyone has different opinions when it comes to work and portfolios so its good to talk the most common and popular advise from the talks and lectures.
Design issue report
Issues and Practices
“ History is good but you can’t live it off”
I sent out a questionnaire out to Manchester and London based design agencies based on the issue of an interesting article I came across on the D&AD website called Everyone starts somewhere. This is a collection of old work produced by big names in the Graphic Design industry including degree work. http://www.dandad.org/everyone_starts_exhibition/
I wanted to know how important the degree work I am doing now is, and if old work and student work comes in handy when you become more mature and develop as a designer. I set out finding these answers by conducting a questionnaire. I did contact designers that appeared in this article such as Mark Farrow and Peter Saville although as I expected and understand they were too busy to respond.
The first issue I tackled was would you recommend Students keeping a record of all previous work they have produced?
The response I got was yes. Mainly for an employers benefit as they can see your progress but many people replied saying its fun to look back. For a portfolio though keep it updated. Rob Taylor from like a river gave me an interesting answer, “It’s a bit like holiday snaps isn’t it. Here’s one of me on a rock. On a rock with ice cream, on a rock with blue sky, on a rock with blue sky and a seagull. That would be a dull album of that holiday would it? At the Zoo. At the Disco. At the Police Station. Now that would be better, bringing back all those memories! History is good but you can’t live off it. You have to keep renewing history.”
The second issue I looked at was have you ever personally refereed back to previous work when finding it hard to come up with ideas? I wanted to tackle this issue to se how important it is to keep research and development work on projects previously done in college.
I got a mixed response to this, I found it is always good to go back if you have lost the point your trying to convey but mostly the response I got was what has happened in the past has happened. Dave Sedgwick said“ looking over old material can restrict creative flow and new ideas” and Ed Williams said. “We find it better to look at other designers solutions as this may take you in a fresh direction and inspire.”
From this question I wanted to know if books were a better source of research then rather than your old work.
I got yes and no response for both books and old work. The main point was to get fresh stimulus not retrospective and look for new connections ones that have not been made before. Books and research are important to always have around you although if you get a brief that is like previous work you have done before the advise was to then revise your ideas generation stage as this will trigger new ideas.
Michael Smith from Cog design said, “ It is all important, as in every other influence you can expose yourself to. Don’t just self reference or look at the industry be a sponge and look for everything (visual, audio, interlectual, comedic, stupid, multisensory, all of it).”
The final issue I touched on was how important blogs and journals are to record previous and current work. The main feedback was to definably keep a record of your work as it shows designers and potential employers what you can do and the paths you go down to reach this. Although how you chose to record this is personal. Sketchbooks were the most common answer although maybe this is due to the age and changes in technology. Simon from someone in London gave an interesting reply,” I think there's been some confusion in the design industry that Artists refer to sketches, so designers should too. Artists sketch in the field so they can take it to the studio and expand upon it.”
I did get some bad response to blogs as it pits your work out there, which can easily be stolen or copied.
I have taken from this that books and new research is always best otherwise referring back to your old work takes you back to that train of though and blocks new idea generation. Other than that it is all personal and depends on your way of working. Different things can influence people and there own way of recording this process and storing it helps different designers in different ways.
ShellSuit Zombie
Thursday, April 1, 2010
Like a river
Like a river visit 5
We went back to like a river (23/11/09) but at 5 o'clock so Rob had more time to spend with us. The focus for today was working on the money idea. Me and casey both got our own macs and work space to work on and we were working on the backgrounds for our money idea. Rob showed us some new techniques and pattern making, mainly on illustrator. We decided to keep the background as patterns and then change the hue in photoshop to resemble the money value. He also suggested we take pictures of crumbled paper to transfer the money on to, this would help with our presentation skills. Rob then introduced us to the website veer. Its a typeography website that allows you to type in your information, ( in our case money values) and they shows your information in a variety of different fonts. We found out more about like a river, how many people work there and how they use a regular freelance designer. We are emailing Rob the progress of the backgrounds later on in the week.
Like a River visit 4
Like a River visit 3
Today ( 9/11/09) we went back to like a river to show are progress from last weeks discussions.